![]() ![]() ![]() What I quickly realized turned the legend upside down: Dylan entered the studio early on the sixteenth, long before any of the session musicians had arrived, intent on cutting an acoustic album-a sort of “Freewheelin’ Bob Dylan” for the mid-seventies. I listened while perusing Dylan’s fabled “red notebook,” in which he’d written the lyrics to the ten songs on “Blood on the Tracks” in his tiny, precise scrawl. Photograph by Rick Diamond / WireImage / GettyĪs the author of the liner notes for “ More Blood, More Tracks,” the latest entry in Dylan’s “Bootleg Series,” I was one of the first people to hear the raw session tapes in chronological order. ![]() With “Blood on the Tracks,” Bob Dylan was throwing down the gauntlet, showing himself once again to be a master singer-songwriter.
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